Set against the frost-bitten suburbs of post-war Stockholm, A Moth to a Flame opens with a funeral. Young Bengt’s mother has just died, and his father’s swift attachment to another woman sets in motion a narrative of grief, rage and self-destruction. Written in 1948 by the Swedish writer Stig Dagerman (who died tragically young in 1954), the novel examines the raw under-currents of loss and betrayal with a quiet and relentless intensity.
Dagerman’s prose is lean, almost cinematic with spare sentences, silent spaces, the grey sea looming just beyond the domestic memory. Yet beneath that simplicity lies a molten core of violence, yearning and guilt. The book is also published as A Burnt Child in English translations; suggests a child scarred by fire, drawn to the flame even as it destroys.
In this blog I’ll explore how Dagerman constructs this world of psychological pressure, how the themes of grief, betrayal and desire intermingle, how the style works in service of emotional effect, and finally why A Moth to a Flame remains such a powerful piece of literature today.
The Setting and Premise: Cold Skies, Burning Hearts
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