Drop in a reference image and turn it into a Silicone sculpture.

[Image Layout] A photographic triptych arranged on a single page. The main panel (Panel A) is a large, vertical shot on the left, occupying about two-thirds of the frame. On the right side, two smaller, square panels (Panel B and Panel C) are stacked vertically.

[Global Technical Specs (Applied to all panels)]

Color Grade: Hyper-photorealistic. Natural tones emphasizing the silicone skin, the needle punched hair, the doll like clothing and the clutter of metal tools and glass bottles.

Lighting: A mix of bright, diffused professional workbench lighting (showing imperfections) and a warmer tungsten desk lamp, creating distinct highlights on the glistening silicone "skin" and wet paint.

[Panel A: The Main Stage (Left, Large Vertical)] Maintain outfit, jewelry/chain consistency.

Camera & Angle: Macro photography, framed wider to capture the complete 1/6 scale figure. A distinct Dutch Tilt, looking slightly down to emphasize the small scale against the clutter. Shallow depth of field keeps focus sharp on the figure, blurring the background.

Scene: The full-body silicone figure stands amidst a chaotic model-maker's workbench covered in airbrush guns, pigment bottles, and tools. A real human hand holding a fine brush is just entering the frame near leg.

Subject Detail: The figure wears thick black 3d printed Wayfarer glasses and has a glistening molded silicone skin texture. Standing in a cute, shy crossed pigeon-toed pose, which contrasts sharply with the distinctly smug, arrogant smirk. Large stitching and fabric grain on the clothing giving a doll-like appearance.

[Panel B: The Smug Mug (Top Right, Small Square)]

Camera & Angle: Extreme Macro close-up, tightly framed on the head and shoulders.

Subject Detail: Focus is razor-sharp on the face. It highlights the hyper-realistic glass eyes looking sideways, the detailed texture of the thick black Wayfarer glasses, and the arrogant smirk painted onto the silicone. You can see individual strands of punched hair at the hairline/eyebrows and the pores in the airbrushed silicone skin.

[Panel C: The Stance (Bottom Right, Small Square)]

Camera & Angle: Extreme Macro close-up, looking down at the feet.

Subject Detail: Focus is on the lower legs and feet. It clearly shows the shy, crossed pigeon-toed pose. The feet are clad in 3D printed shoes(visible 3d print layer lines,) which are crudely secured to the scarred green cutting mat of the workbench with visible blobs of blue tack.