Rapid Review Of “Freakquent”
Beats: 7/10
Lyrics: 8/10
Concepts: 8/10
Replay Value: 8/10
Three verses, clever wordplay, beat dips at the right time… Stunna Sandy out here doing what half these rappers can’t.
I got Stunna Sandy’s new record “Freakquent” on Friday, the very day it dropped, and I have to say, this track immediately grabbed me. Even though she did a subtle rollout with the song, it’s clear to me that this deserves a bigger push. This one is a heater, more hip-hop than the techno infused “Watchin’, which was a solid record, but this new record speaks to her strength as an artist rather than just a particular sound. From the jump, she’s commanding attention. The opening line , “gotta lick cuz they fuck with my features, and I don’t gotta fuck for my features” made me sit up straight. It’s sharp and layered with meaning. I couldn’t help but wonder who exactly was she calling out, but that’s the beauty of her wordplay , she keeps you hooked, parsing meaning as the track rolls on.
What struck me most about this song is how it balances the new school with vintage elements. Stunna Sandy is one of the only female artists right now fully reveling in the contemporary hip-hop space while still holding on to traditional structures like three solid verses and staying on topic throughout. Her pen game has always been sharp, but here she elevates it with lines like, “The only freak I’m on is my money frequent.” It’s witty, and delivered with precision. What makes this song stand out is the production , it dips, it pulls back during the hook, creating space for her verses to shine without over saturating the beat. In a time when most producers leave tracks looping endlessly, this restraint is refreshing.
The feature from Tata of 41 is another high point. He matches Sandy’s energy, tone, and delivery, and most importantly, he stays on topic. They actually collaborate. It seems rare these days for two rappers to share a beat and speak on the same concept. That alone sets this record apart. Sandy also delivers a third verse, which is almost an extinct move in today’s hip-hop landscape outside of rare projects like Clipse’s latest album. Her ability to combine youth, talent, and a clear understanding of how to construct a record that resonates with listeners makes her special. This is why Sandy is someone to watch , she isn’t just rapping, she is creating contemporary hip-hop with an ear for timeless appeal.
From top to bottom, Freakquent is a record that proves she has vision. The beat is a hypnotic blend of catchy 808s with a sprinkle of drill and a nostalgia-driven melody. It’s the kind of production that pulls you in without overshadowing the artists. Her lyricism is strong, and the message though familiar , feels fresh thanks to clever wordplay and her ability to own it. The concept of flipping “frequent” into Freakquent is simple yet effective, reinforcing the hook while keeping it sharp.
Sandy’s delivery is calculated but effortless. She rides the beat with confidence, never overextending and always keeping the listener engaged. Tata’s feature complements her seamlessly, and the synergy between the two highlights why collaboration in hip-hop should go back to this approach , shared themes, complementary verses, and genuine connection. The track’s replay value is strong because it’s both catchy and substantive something not every modern record can boast.
The X Files
Track Breakdown
Beats: 7/10
The production is minimal yet effective, pulling back at the right moments to let the verses breathe. The mix of drill, and nostalgic melody works in her favor.
Lyrics: 8/10
She keeps it sharp and delivers on every bar. She’s a pretty lyricist making “pretty girl music” that commands attention.
Concepts: 8/10
The message isn’t groundbreaking, but the play on frequent into Freakquent shows creativity and cleverness in her writing.
Replay Value: 8/10
With three verses, catchy hooks, and a strong feature, this is a track you’ll find yourself hitting repeat.
Visual Appeal: NA/10
Total Music Score: 8/10
Ultimately, what makes Freakquent stand out isn’t just the lyrics, beat, or feature , it’s Sandy herself. She has the rare combination of youth and knowledge of what it takes to make a record that resonates with the audience while staying true to the art form. She brings a contemporary lens to hip-hop while respecting its roots, and that’s why she’s a name to keep in your rotation. This record deserves attention not just for its technical skill, but for the sheer force of Sandy’s presence , confident, clever, and undeniably magnetic.
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