Wide Angle Anamorphic Lens Review:

By a Filmmaker & Lens Junkie with 12+ Years of Real-World Experience

If you’re into filmmaking, photography, YouTube, or just making your travel vlogs look straight-up cinematic… you’ve probably heard the buzz about wide angle anamorphic lenses. I’ve personally spent over a decade behind the camera — from indie film shoots to commercial gigs and silly YouTube skits — and lemme tell ya, switching to an anamorphic wide lens was a total game-changer. Not just for visuals, but for storytelling.

So let’s dive in. This is the real-deal, no-fluff wide angle anamorphic lens review based on hands-on experience, real-world shoots, and a couple of mistakes (oops) that taught me a lot.

In a rush and just need the quick answer? Here are my top-rated picks you can confidently choose from right now.

Sirui 35mm f/1.8 Anamorphic (APS-C)…Click here to view it

Moment 1.55x T-Series Mobile Anamorphic Lens…Click here to view it Amazon

Vazen 28mm T2.2 1.8x Anamorphic…Click here to view it Amazon

What Is a Wide Angle Anamorphic Lens, Anyway?

Before we go deep, lemme explain real quick for the new folks.

An anamorphic lens squeezes the horizontal image when you shoot, allowing you to capture that beautiful ultra-wide cinema aspect ratio (think 2.39:1) without losing vertical resolution. When you de-squeeze it in post (which is easier than it sounds now), you get the dreamy flares, more foreground distortion, and edge-to-edge detail that just screams cinema.

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Now add in the “wide angle” part…

That gives you a much wider field of view, which means it’s perfect for:

• Travel videography
• Landscape cinematography
• Car commercials (or… your buddy’s Honda Civic for YouTube lol)
• Vlogging in tight spots
• Interior shoots where space is limited

Real-World Use: My Personal Experience with Wide Angle Anamorphic Lenses

Let me paint y’all a picture…

I was shooting a micro-short film in Colorado. We had access to this beautiful, rustic mountain cabin. Problem was — it was tiny. Like… barely room for two people tiny.

Enter: my Sirui 35mm f/1.8 Anamorphic wide angle lens — yeah, it ain’t cheap, but oh man was it worth every dollar. I could frame both the actor AND the environment, without having to back up (which I physically couldn’t anyway).

The barrel flares were subtle and classy, and the final footage looked waaay more expensive than our budget allowed.

Another time, I used a Moment T-Series 1.55x anamorphic lens on my smartphone while hiking through Utah. The shots? Absolutely stunning. It was like every frame told its own story, and I didn’t even have my camera rig with me — just a phone and a gimbal.

Pros and Cons of Wide Angle Anamorphic Lenses

Let’s be real here — no product is perfect. Here’s what I’ve found using different wide angle anamorphic lenses over the years:

Pros:

• Cinematic look instantly: those lens flares, wide perspective, and bokeh look chef’s kiss.
• Wide field of view: Great for interiors, tight shots, or showing off big landscapes.
• Perfect for storytelling: Backgrounds don’t just “exist” — they become part of the scene.
• Shoot once, crop later: Thanks to that extra width, you can sneak in many different crops in post.

Cons:

• Extra workflow: You’ll need to de-squeeze footage in post (Premiere and Final Cut have easy settings for this tho).
• Price can be steep: Quality lenses run $400 — $1,500, easy.
• Some chromatic fringing/distortion: Cheaper lenses, especially.
• Focusing takes practice: Especially if you’re handholding.

Pro Tip: If you’re just starting out — go with the Sirui 35mm or 50mm anamorphic. For mobile? Moment’s lenses are .

My Top Picks: Best Wide Angle Anamorphic Lenses 2025

Here’s a quick breakdown of my personal favs based on testing, rentals, buying, and… regretting a few too.

1. Sirui 35mm f/1.8 Anamorphic (APS-C)

Sirui 35mm f/1.8 Anamorphic (APS-C)…Click here to view it

• Squeeze Ratio: 1.33x
• Cinematic Quality: Pro level (seriously)
• Mounts: Sony, Fuji, Canon, Micro 4/3
• Price: Around $499
• My Take: Best damn anamorphic lens under $1K. Looks AMAZING with Sony A6600 or Fuji X-T4.

2. Moment 1.55x T-Series Mobile Anamorphic Lens

Squeeze Ratio: 1.55x

• Best Use: Vlogging, travel, social content
• Price: $149 + phone mount
• My Take: If you’re shooting with iPhone 15 Pro or Pixel 8 — this will legit make it look like RED camera content. I’m not even kidding.

Moment 1.55x T-Series Mobile Anamorphic Lens…Click here to view it Amazon

3. Vazen 28mm T2.2 1.8x Anamorphic (Micro Four Thirds)

• Squeeze Ratio: 1.8x
• Field of View: Insanely wide
• Image Quality: High-end, but needs lighting
• My Take: This one is for more serious indie shooters. Used it once in a warehouse scene — looked like Blade Runner.

Vazen 28mm T2.2 1.8x Anamorphic…Click here to view it Amazon

Common Questions People Ask About These Lenses

Is a wide angle anamorphic lens worth the hype?

Short answer? YUP. If you want your footage to stand out, to have emotion and scope and real depth — there’s seriously nothing better in this price range. The visuals are just… next level.

Can I use it for YouTube or weddings?

Absolutely. I’ve used it for wedding highlight reels, slow walk-ins, city drone overlays — it’s that versatile.

Do I REALLY need to de-squeeze?

Yes. Otherwise, your footage will look squashed. But with modern editing software, it’s like 3 clicks max. Don’t worry.

Final Thoughts & Personal Advice from Experience

If you’ve been on the fence about grabbing a wide angle anamorphic lens — this is your sign. Whether you’re a content creator, up-and-coming DP, or just love capturing travel footage that gives people goosebumps… this lens will change your game.

Would I sell all my gear for one? Nah.
Would I shoot a feature doc with one on a budget? Hell yeah.

I always say this — gear doesn’t make the artist, but the right tools absolutely elevate your voice. A wide angle anamorphic lens? That’s one of those tools.

If this helped, don’t forget to bookmark this review, or better yet — share it with your filmmaker friends. We’re all in this crazy creative grind together. 🎬💥

Until next time — keep shooting, keep learning, and keep telling stories.